{"id":943,"date":"2021-06-09T19:57:25","date_gmt":"2021-06-09T17:57:25","guid":{"rendered":"http:\/\/art-anima.com\/festival\/?p=943"},"modified":"2021-06-09T19:57:44","modified_gmt":"2021-06-09T17:57:44","slug":"dnevnik-noci-tomasa-ligotija","status":"publish","type":"post","link":"http:\/\/art-anima.com\/festival\/2021\/06\/dnevnik-noci-tomasa-ligotija\/","title":{"rendered":"&#8221;Dnevnik no\u0107i&#8221; Tomasa Ligotija"},"content":{"rendered":"<p><strong>Datum i vreme<\/strong>: Petak, 31. maj 2019, 20h<br \/>\n<strong>Mesto<\/strong>: Klub galerija Polet (Cetinjska 15, Beograd)<br \/>\n<strong>U\u010destvuju<\/strong>: Dejan Ognjanovi\u0107 i Nikola Vitkovi\u0107<\/p>\n<p>U razgovoru o poetici i zna\u010daju ameri\u010dkog pisca Tomasa Ligotija, a povodom upravo iza\u0161le druge zbirke pri\u010da ovog autora na srpskom, u\u010destvuju <strong>Dejan Ognjanovi\u0107<\/strong>, urednik edicije \u201ePoetika strave\u201c (Orfelin) i pisac pogovora ovoj knjizi, i <strong>Nikola Vitkovi\u0107<\/strong>, autor ilustracija za koricu i unutra\u0161njost knjige, koji \u0107e govoriti o Ligotijevom uticaju na njegov rad, o ikonografiji i motivima ovog pisca i o izazovu vizualizacije njegovog pomerenog, jezovitog sveta.<\/p>\n<p style=\"text-align: center;\"><strong>O U\u010cESNICIMA<\/strong><\/p>\n<div id=\"attachment_13713\" style=\"width: 210px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-13713\" class=\"size-full wp-image-13713\" src=\"http:\/\/www.art-anima.com\/wp-content\/uploads\/2019\/05\/dejan-ognjanovic.jpg\" alt=\"Dejan Ognjanovi\u0107\" width=\"200\" height=\"200\" \/><p id=\"caption-attachment-13713\" class=\"wp-caption-text\">Dejan Ognjanovi\u0107<\/p><\/div>\n<p><strong>Dejan Ognjanovi\u0107<\/strong> je pisac, filmski i knji\u017eevni kriti\u010dar, prevodilac, esejista. Objavio knjige <strong><em>Faustovski ekran <\/em><\/strong>(2006), <em><strong>U brdima, horori<\/strong> <\/em>(2007),<strong><em> Studija strave<\/em><\/strong> (2008), <strong><em>Poetika horora<\/em><\/strong> (2014), <strong><em>Vi\u0161e od istine: Kadijevi\u0107 o Kadijevi\u0107u<\/em><\/strong> (2017), <strong><em>The Weird World of H.P. Lovecraft<\/em><\/strong> (2017) i <strong><em>Kult Gula<\/em><\/strong> (2019), i dva romana <em><strong>Na\u017eivo<\/strong>\u00a0(<\/em>2003; 2010) i <strong><em>Zavodnik<\/em> <\/strong>(2014; 2015). Priredio antologiju H. F. Lavkrafta, <strong><em>Nekronomikon<\/em> <\/strong>(2008; 2012; 2018). Urednik je edicije <strong>\u201ePoetika strave\u201c<\/strong> u <em>Orfelinu<\/em>. Njegove pri\u010de su uvr\u0161tene u brojne doma\u0107e antologije. Stalni je saradnik vode\u0107eg svetskog horor magazina <strong><em>Rue Morgue<\/em><\/strong>.<\/p>\n<div id=\"attachment_13750\" style=\"width: 210px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-13750\" class=\"size-full wp-image-13750\" src=\"http:\/\/www.art-anima.com\/wp-content\/uploads\/2019\/05\/nikola-vitkovic.jpg\" alt=\"Nikola Vitkovi\u0107\" width=\"200\" height=\"200\" \/><p id=\"caption-attachment-13750\" class=\"wp-caption-text\">Nikola Vitkovi\u0107<\/p><\/div>\n<p><strong>Nikola Vitkovi\u0107<\/strong> prve sci fi ilustracije objavio kao klinac krajem 80-ih u <em><strong>Emitoru<\/strong><\/em>. Devedesetih kao \u010dlan strip grupe <em>Momci<\/em> objavljivao uzdu\u017e i popreko po fanzinskoj i strip sceni. Sa G. Raj\u0161i\u0107em autor bio-sci-fi stripa <strong><em>Cruciform<\/em> <\/strong>po kojem je nastala video igra <strong><em>Genesis Rising<\/em><\/strong> za DreamCatcher Interactive. Dvehiljaditih se prete\u017eno bavio muzikom, \u010desto sa nau\u010dno fantasti\u010dnim temama. 2016. godine pod muzi\u010dkim pseudoimima Magma Trakt i Alone in Heaven objavio album <em>Zardoz<\/em>, kao reinterpretaciju uspomene na istoimeni SF klasik u formi elektronske simfonije. Ilustrovao <strong>Lavkrafta<\/strong>, <strong>Lotreamona<\/strong> i <strong>Ligotija<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Petak, 31. maj 2019, 20h<\/p>\n","protected":false},"author":1,"featured_media":944,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1],"tags":[],"class_list":["post-943","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-najave","category-vesti"],"_links":{"self":[{"href":"http:\/\/art-anima.com\/festival\/wp-json\/wp\/v2\/posts\/943"}],"collection":[{"href":"http:\/\/art-anima.com\/festival\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/art-anima.com\/festival\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/art-anima.com\/festival\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/art-anima.com\/festival\/wp-json\/wp\/v2\/comments?post=943"}],"version-history":[{"count":1,"href":"http:\/\/art-anima.com\/festival\/wp-json\/wp\/v2\/posts\/943\/revisions"}],"predecessor-version":[{"id":945,"href":"http:\/\/art-anima.com\/festival\/wp-json\/wp\/v2\/posts\/943\/revisions\/945"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/art-anima.com\/festival\/wp-json\/wp\/v2\/media\/944"}],"wp:attachment":[{"href":"http:\/\/art-anima.com\/festival\/wp-json\/wp\/v2\/media?parent=943"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/art-anima.com\/festival\/wp-json\/wp\/v2\/categories?post=943"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/art-anima.com\/festival\/wp-json\/wp\/v2\/tags?post=943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}